*The term Pan African is an identification that encompasses the peoples of the African continent and all of the African diaspora, where people of African descent can be found.
The Africa Institute, in collaboration with the June Givanni Pan African Cinema Archive, present a film program titled Decolonizing African Cinema: A History. Launching October 21, this program seeks to situate influential works of African cinema in relation to contemporary films, and highlight the trends and developments that have defined the critical conversations and debates around this cinema.
Decolonizing African Cinema: A History will examine the influences that have shaped the foundations of African ideas about cinema. By positioning these perspectives in a broader context, the program discusses how various interventions have been informed throughout history. Presenting a curated selection of films and critical perspectives–which echo across contemporary debates on filmmaking throughout Africa and the African diaspora– the program will explore the impact of the past on present-day African cinema, with its various intersections, continuities and discontinuities.
Structured over four webinar symposiums, each session will focus on a theme to be explored by expert discussants. Each symposium will be accompanied by a complimentary set of films for both essential and recommended viewing. The theme of each symposium provides a framework for the discussions and creates a dialogue around the foundations of African cinema, and its significance for contemporary and on-going debates.
The symposiums are open to the public, and will be of particular interest to students of African cinema. Both The Africa Institute and the June Givanni Pan African Cinema Archive acknowledge the lack of knowledge and resources for the study of African cinema in Africa, and hope this program serves as an accessible contribution to the field. There is also a recognized need for a reframing of contemporary debates, inviting and encouraging new perspectives that prioritize issues pertinent to the African cultural economy and its future.
The series of webinars in this showcase was organised by the June Givanni Pan African Cinema Archive (JGPACA) with partners SOAS/African Screen Worlds; AFFORD; and The Africa Centre; with assistance and support from The Art Fund and MayDay Rooms. The film You Hide Me was made by Ghanaian filmmaker Nii Kwate Owoo in the British Museum in London in 1970 and presented the case for the restitution of African art, which is still resonant today. This series was arranged to mark the 50th anniversary of this film and bring it to wider attention. The film – which is held in the JGPACA – can also be seen on the Vimeo on Demand platform: vimeo.com/ondemand/youhideme
You Hide Me: 50 Years On (Pt. 1 of Webinar Series) – Restitution, Curating & Teaching African Art
https://vimeo.com/489442896 (07@mbkno@05)
The first in this series of 4 webinars foregrounds the need to rethink the sources of knowledge and institutional frameworks that underpin the curating and teaching of African art, and the value of Africa’s historical cultural knowledge for a better understanding of the issue of restitution.
You Hide Me: 50 Years On (Pt. 2 of Webinar Series) – Restitution and the Moving Image
https://vimeo.com/489557174 (07@mbkno@05)
The second event in the You Hide Me: 50 Years On webinar series focusses on the demand for restitution in the context of African film and moving image archives more generally.
You Hide Me: 50 Years On (Pt. 3 of Webinar Series) – Restitution & Securing African Heritage
https://vimeo.com/489790654 (07@mbkno@05)
The third event in the You Hide Me: 50 Years On webinar series discusses the topic of restitution in relation to the role of African organisations such as the Africa Centre in having a voice in defending the future of African heritage.
You Hide Me: 50 Years On (Pt. 4 of Webinar Series) – Actions Going Forward
https://vimeo.com/489988050 (07@mbkno@05)
The fourth webinar in the You Hide Me: 50 Years On webinar series draws together the main discussion points, ideas and suggestions for taking forward the issues raised around this broad and resonant topic of the restitution of African Art. It was held on 24 November 2020.
THE FILM:
‘YOU HIDE ME!’ | On Vimeo VOD
“In 1970, ‘YOU HIDE ME’ a film written, produced and directed by Nii Kwate Owoo, Ghanaian documentary and feature film maker, on the colonization of African art, was seen as controversial. The film is an expose of the theft and concealment of ancient and rare African Art, hidden in plastic bags and wooden boxes in the basement of the British Museum. For many the film heightened the already growing antagonism towards Western art establishments, and the role they played in the looting and hoarding of precious works of art from the ancient cultures of the world.” Nii Kwate Owoo https://vimeo.com/ondemand/youhideme
Archive Administrator for JGPACA: Sustaining a PanAfrican Cinema Archive Organisation: June Givanni PanAfrican Cinema Archive (JGPACA)
Job Description
Job Title: Archive Administrator
Purpose of the Job: To assist the Directors of JGPACA and the Archive Manager with the Administration of the two-year project: JGPACA Sustaining a PanAfrican Arts Archive.
About the project – JGPACA: Sustaining a PanAfrican Arts Archive: This Project has been funded by the Space to Dream fund, of Freeland Foundation, to increase the infrastructural capacity and eco-system for the professional management and sustainable future of JGPACA: June Givanni PanAfrican Cinema Archive. It is aimed at attracting and training a future generation for the leadership of the archive. JGPACA’s mission and long-term goal is to develop public awareness of the artistic heritage of PanAfrican cinema and Black arts in Britain and respond to the rapidly increasing demands for access to its unique archival resources. This project involves a series of residencies, training workshops, exhibitions and events throughout its two-year duration in order to enable JGPACA to pursue its mission and long-term goals of developing public awareness of the artistic heritage of PanAfrican cinema and Black arts in Britain.
About the role: The Archive Administrator will provide the key administrative presence in the archive and the person will report to June Givanni. The person will play a key role in managing secure access to archive materials and supervising handling, to enable researchers, curators and users to visit the archive and access the collections. The Archive Administrator will also manage the key systems of the archive, the holdings, the catalogue, the JGPACA mailing lists, public communications and the general security of the archive space.
Main Duties/Key responsibilities: These involve supporting and working closely with the JGPACA Directors and the Archive Manager. The role will also require maintaining and developing the archive catalogue and the organisation, and preservation of the materials held in the archive. The person will assist with the organisation of residencies and traineeships, and events at the archive base. The person will also have experience of administration and ideally of working in archives or library resources and collections. The role requires excellent communication and organisational skills.
Person Specification
Essential: The person will have experience as an administrator in an arts industry context. The person will need to have computer proficiency and knowledge/experience of working with archival databases and catalogues. It is important to be able to problem-solve and assess risks. The person will also be reliable with good time-management and organisational skills, and be able to demonstrate effective communication, presentation and public relations skills. A commitment to working with diversity and antiracism. A qualification to degree level is necessary.
Desirable: A background knowledge of PanAfrican cinema, Black British and African diaspora arts and culture in the UK will be preferred. Suitable experience of working with websites and social media, and engagement with outreach activities is also desirable.
Further Particulars
Contract type: Part-time, fixed term, Immediate start
Rates of Pay. £20,000 (0.8 of a full-time salary of £25,000)
Hours: 4 days per week (x 7 hours daily): 28 hours per week: mainly agreed office hours with some flexibility.
Working Pattern: Monday – Friday (negotiable)
Working primarily onsite at JGPACA, Mayday Rooms Building, Fleet Street, London EC4Y 1DH
Probation period: 3 months
Duration of Post: 1 year Fixed term with option for extension
Note: This post is restricted to those who hold the right to work in the UK
How to Apply: please send a letter of application addressing the Role and Person specifications outlined above and a CV, to information.jgpaca@gmail.com
All applicants are asked to provide a statement [in the application letter] on their suitability for the role. This is a key piece of information for the selection process.
Closing Date for applications: 22 September 2023
Interview Date: October
Start Date: Immediate
About the June Givanni PanAfrican Cinema Archive
Founded and run by June Givanni, film archivist and curator, JGPACA is a unique collection of items, objects and components: films and programmes recorded on video and DVD, photographs, audio interviews, posters, scripts, paper documents, books, journals, film and festival publicity materials and memorabilia, which has at its core the interest of PanAfrican cinema and its relationship with Black British cinema and culture. JGPACA is a living archive that preserves and values the history of Black cinema and thus provides a crucial knowledge base to films and filmmakers of the pre-digital age, linking it through to contemporary achievements. Its PanAfrican focus makes it a key resource for those interested in diaspora histories, Black Lives Matter and decolonising initiatives for social change. JGPACA allows users to access the collections at its base in the May Day Rooms, Fleet Street. JGPACA runs screenings and events at its premises and at other locations. JGPACA continues to present, renew, create connections, and build on its collections of both past heritage and present-day artistic activities, providing numerous points of engagement for a younger generation of British citizens.
JGPACA: commitment to Equality, Diversity and Inclusion
The June Givanni PanAfrican Cinema Archive (JGPACA) observes and promotes an Equal Opportunities policy, and is committed to equality, diversity and inclusion in the workplace. JGPACA is opposed to all discrimination on the grounds of age, disability, gender reassignment, marriage and civil partnership, pregnancy and maternity, sex or sexual orientation, race, colour, ethnic or national origin, nationality, religion or belief. JGPACA is committed to providing access to the archive to everyone regardless of background and location.
JGPACA promotes an inclusive approach that treats colleagues (employees and volunteers) and other service users fairly and with respect. All employees and volunteers are informed that an equality, diversity and inclusion policy is in place and that it is necessary that they comply to promoting fairness and opposing any form of discrimination in the workplace. JGPACA works with partners who are committed to equality, diversity and inclusion. It upholds safeguarding policies on using images of children and uses legal consent procedures if photographing or filming at any of its events.
Informal Enquiries:
If you would like to know more about the role please contact June Givanni, Director JGPACA at june@junegivannifilmarchive.com.
Archive Manager for JGPACA: Sustaining a PanAfrican Arts Archive Organisation: June Givanni PanAfrican Cinema Archive (JGPACA)
Job Description
Job Title: Archive Manager
Purpose of the Job: To assist the Directors of JGPACA with the management of the two-year project: JGPACA Sustaining a PanAfrican Arts Archive.
About the project JGPACA: Sustaining a PanAfrican Arts Archive: This Project has been funded by the Space to Dream fund, of Freeland Foundation, to increase the infrastructural capacity and eco-system for the professional management and sustainable future of JGPACA: June Givanni PanAfrican Cinema Archive. It is aimed at attracting and training a future generation for the leadership of the archive. JGPACA’s mission and long term goal is to develop public awareness of the artistic heritage of PanAfrican cinema and Black arts in Britain and respond to the rapidly increasing demands for access to its unique archival resources. This project involves a series of residencies, training workshops, exhibitions and events throughout its two-year duration in order to enable JGPACA to pursue its mission and long-term goals of developing public awareness of the artistic heritage of PanAfrican cinema and Black arts in Britain.
About the role: The Archive Manager will work with Directors of JGPACA to develop and manage a plan for the infrastructural capacity and professional management of JGPACA in relation to the programme and strategic objectives of the project: JGPACA Sustaining a PanAfrican Arts Archive. The person will report to June Givanni. JGPACA is seeking someone who is a highly motivated and a creative manager. The person will have experience of management of archives or library resources and collections. The person will have excellent communication and organisational skills.
Main Duties/Key responsibilities: These involve budget management and strategic actions relating to the development of a plan for the infrastructural capacity building of JGPACA, a business plan and fundraising strategy. A project of this nature requires impact measurement and the monitoring of Equality Impact Assessment. The role would also require organisation and management of the archive working with other JGPACA staff; and the development of strategic partnerships with other current and potential partners, and oversight of the JGPACA public profile.
Person Specification
Essential: The person would have managerial experience at a significant level, including financial management, plus knowledge/experience of researching or working with archival databases and catalogues. Computer proficiency is essential. Among the range of skills this person would have excellent communication skills and be confident and flexible in working in teams. It is envisaged that the person would have experience in developing business plans, problem solving and risk assessment. A commitment to working with diversity and anti-racism is essential. A qualification to degree
level is essential.
Desirable: A background knowledge of PanAfrican cinema, Black British and African diaspora arts and culture in the UK will also be preferred. The candidate is expected to also have experience of working with funders and networks across the visual arts sector; strategic use of social media, outreach, and public presentations.
Further Particulars
Contract type: Part-time (4 days a week), fixed term, Immediate start Rates of Pay £25,000 pa (0.8 of a full-time salary of £31,250)
Hours: 4 days per week (x 7 hours daily): 28 hours per week: mainly agreed office hours with some flexibility.
Working Pattern: Monday – Friday (negotiable). Working primarily onsite at JGPACA, Mayday Rooms Building, Fleet Street, London EC4Y 1DH
Probation period: 3 months
Duration of Post: 1year Fixed Term with possible option for extension
Note: this post is restricted to those who hold the right to work in the UK.
How to Apply: Please send a letter of application addressing the Role and Person specifications outlined above and a CV, to information.jgpaca@gmail.com.
All applicants are asked to provide a statement (in their application) on their suitability for the role. This is a key piece of information for the selection process.
Closing Date for applications: 22 September 2023
Interview Date: October 2023
Start Date: Immediate
About the June Givanni PanAfrican Cinema Archive
Founded and run by June Givanni, film archivist and curator, JGPACA is a unique collection of items, objects and components: films and programmes recorded on video and DVD, photographs, audio interviews, posters, scripts, paper documents, books, journals, film and festival publicity materials and memorabilia, which has at its core the interest of PanAfrican cinema and its relationship with Black British cinema and culture. JGPACA is a living archive that preserves and values the history of Black cinema and thus provides a crucial knowledge base to films and filmmakers of the pre-digital age, linking it through to contemporary achievements. Its PanAfrican focus makes it a key resource for those interested in diaspora histories, and decolonising initiatives for social change. JGPACA allows users to access the collections at its premises in the May Day Rooms building, Fleet Street. JGPACA runs screenings and events at its premises and at other locations. JGPACA continues to present, renew, create connections, and build on its collections of both past heritage and present-day artistic activities, providing numerous points of engagement for a younger generation of British citizens.
JGPACA: commitment to Equality, Diversity and Inclusion
The June Givanni PanAfrican Cinema Archive (JGPACA) observes and promotes an Equal Opportunities policy, and is committed to equality, diversity and inclusion in the workplace. JGPACA is opposed to all discrimination on the grounds of age, disability, gender reassignment, marriage and civil partnership, pregnancy and maternity, sex or sexual orientation, race, colour, ethnic or national origin, nationality, religion or belief. JGPACA is committed to providing access to the archive to everyone regardless of background and location.
JGPACA promotes an inclusive approach that treats colleagues (employees and volunteers) and other service users fairly and with respect. All employees and volunteers are informed that an equality, diversity and inclusion policy is in place and that it is necessary that they comply to promoting fairness and opposing any form of discrimination in the workplace.
JGPACA works with partners who are committed to equality, diversity and inclusion. It upholds safeguarding policies on using images of children and uses legal consent procedures if photographing or filming at any of its events.
Informal Enquiries:
If you would like to know more about the role please contact June Givanni, Director JGPACA at june@junegivannifilmarchive.com.
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You Hide Me: 50 Years On – Webinar Series
ACTIONS GOING FORWARD
This event will draw together the outcomes from the Webinars organised by the June Givanni Pan African Cinema Archive and partners – SOAS University of London; AFFORD, and the Africa Centre, to celebrate 50 years since the film You Hide Me was made by Nii Kwate Owoo in London in 1970. This event will reflect on and digest the main points and propositions around the restitution of African Art to emerge in the webinars, and to present some of the ideas for action going forward.
Panellists will include:
The three Moderators of the Webinars in this series:
- Imruh Bakari (Filmmaker, writer and Lecturer in Film Studies University of Winchester)
- Jihan El Tahri (Multi-award-winning film director, writer, visual artist and producer)
- Uzoamaka Madu (Strategic Communications Consultant)
And 3 senior partner representatives:
- Lindiwe Dovey of SOAS University of London, Professor of Film and Screen Studies and Principal Investigator African Screen Worlds
- Onyekachi Wambu Chief Executive, AFFORD (African Foundation for Development)
- Belvin Tawuya Head of Marketing and Communications, The Africa Centre
Other Commentators will include:
- Nii Kwate Owoo. Director, You Hide Me, and a number of other films
Tickets on Eventbrite
With Art Fund Support:
You Hide Me: 50 Years On Webinar Series
In 1970 Ghanaian filmmaker Kwate Nii Owoo managed to enter the British Museum to make this short film about the valuable African artefacts held there. His film is held in the June Givanni Pan African Cinema Archive (JGPACA), and together with partners the Africa Centre, SOAS University and AFFORD we bring you a series of Webinar’s in celebration of the 50th anniversary of that film and its prevailing argument for the restitution of African Art. Panels will feature UK and international curators, filmmakers, artists, writers, cultural activists, museum professionals and academics, including the filmmaker himself.
Watch the film on Vimeo
JGPACA & SOAS UNIVERSITY OF LONDON
Restitution and the curating and teaching of African Art
Date 7 October 2020, 5pm
- Imruh Bakari – Chair (Filmmaker, writer and Senior Lecturer in Film Studies University of Winchester)
- Didi Cheeka (filmmaker, Curator and archivist)
- Awa Konate (writer, Curator, Founder of Culture Art Society (CAS)
- Errol Francis (CEO, Culture& Org)
- Dr Polly Savage, Lecturer in Art History of Africa, SOAS
- Prof Kofi Opoku Asare (Institute of African Studies (IAS), University of Ghana)
- Kwate Nii Owoo (filmmaker – You Hide Me, Founder of Media Research Unit, (IAS), University of Ghana)
Tickets on Eventbrite
JGPACA & AFFORD
Restitution of African Art and the Moving Image
Date 20 October 2020, 3pm
- Jihan El-Tahari – (Chair multi- award-winning film director, writer, visual artist and producer)
- Didi Cheeka (filmmaker, curator rand archivist)
- Onyeka Igwe (Visual and moving Image artist)
- Onyekachi Wambu (Executive Director of Afford)
- Kwate Nii Owoo (Filmmaker – You Hide Me)
Tickets on Eventbrite
JGPACA & Africa Centre
Restitution: Africans involvement in deciding the future of part of their heritage and the role The Africa Centre can play in that process?
Date: 29 October 2020, 4:30pm
- Uzoamaka Madu (Strategic Communications Consultant)
- J C Niala (writer with a background in Anthropology: at the Horniman Museum described as: African Collections Researcher and is coordinating the project Rethinking Relationships and Building Trust Around African Collections)
- Sani Sani (Artist)
- Michael Adeyemi (filmmaker)
- Prof Yaw Owusu Frimpong (director School of Communication, Univ of Ghana)
- Kwate Nii Owoo (filmmaker – You Hide Me, Founder of Media Research Unit, (IAS), University of Ghana)
Tickets on Eventbrite
JGPACA/MDR
(Invitation only) Roundtable drawing together key outcomes from the Webinars & the production of a series of podcasts resulting from the series.
10 November 2020
With Art Fund Support:
‘The Time Is Now’ was a programme curated by June Givanni Pan African Archive in support of with ‘The Place Is here’ exhibition at the Nottingham Contemporary over the same period. The structure of the programme was made up of three film screening events between 4th February 2017 to 25th March 2017 reflecting stories of the 1980s with some contemporary reflections through the lens of Black and Asians filmmakers. All three film screening events included a Q&A with filmmakers and cast guests with a chair who hosted each screening and discussion.
Screening 1 – Saturday 4th February 2017
Time Is Now series introduction: June Givanni
The Hard Stop (2015) dir. George Amponsah
The People’s Account (1986) dir. Milton Bryan/Ceddo.
Q&A Panel discussion:
Chaired by Patcee Francis, Managing Director of Syncopate Media.
Screening 2 – Saturday 25th February 2017
Emergence (1986) and A Place of Rage (1991) dir. Pratibha Parmar
Mama Lou (1994) dir. Maybelle Peters
Candy Pop & Juicy Lucy dir. Chila Burman
White Men are Cracking Up (1994) dir. Ngozi Onwurah
Q&A with artist Suman Bhuchar.
Screening 3 – Saturday 25th March 2017
Utterance (1990) dir. Pervaiz Khan
Rahm (Mercy) (2016) dir. Ahmed Jamal – UK preview screening
Q&A session:
Chaired by June Givanni (Pan African Cinema Archive).
On Friday 4th February 2017, Nottingham Contemporary opened its doors to the public for their first major exhibition of the year called ‘The Place is Here’. The exhibition explores the pivotal decade for culture and politics of the 1980s with responses from the Black Arts Movement in Britain. Each of the 4 rooms exhibited and projected the work made and conversations which took place during this period from the perspectives of writers, artists, collectives, photographers and more. Artists include: Sonia Boyce, Lubaina Hamid, Keith Piper, Martina Attille/Sankofa collective, Eddie Chambers and more.
June Givanni Pan African Archive was present within the exhibition, having an archive installation in the People’s Account room in one of the main spaces. Showing a collection of work including materials and a small poster display relating to GLC’s Third Eye Festival 1983. Four framed posters of the Anti Racist murals by black artists commissioned by the GLC in 1986 were also on display from JGPACA. Archive works on show included Bohemian Noir by Amani Naphtali, by Third Eye (Rough Cut) by Imruh Bakari and The People’s Account by Ceddo film workshop, In Conversation ‘C.L.R. James and E.P. Thomson’ by Mike Dibb, animation films A Lesson In History and Black Skin White Masks both by Maybelle Peters. As well as June Givanni Pan African Archive having to space to recall stories from this era, the Archive hosted a programme of four screening films reflecting memories on the decade which relates to present. The programme is called ‘The Time Is Now’.
‘The Place is Here’ closed its door on Sunday 30th April 2017. The exhibition is due to go on to South London Gallery and middlesborough arts museum.
June Givanni Pan African Archive programmed its first collaborative film screening with Mayday Rooms on December 7 2016. The film shown at Mayday Room’s screening space was H.O. Nazareth’s ‘Talking Histories’. In the year 1983 H.O. Nazareth of Penumbra Productions, directed and produced, a film conversation between two Marxist historians: the Trinidadian playwright C. L. R. James and E. P. Thompson on topics ranging from popular politics in the United Kingdom, new freedom movements and revolutions in the Middle East, Eastern Europe, international affairs in Africa and atomic warfare at the end of the cold war.
The film was screened to 50 guests from the public. The screening was a special event where the audience were treated to the unique experience of seeing the film in its original 16mm format for the first time in over 30 years. The audience had the opportunity to discuss the film with H.O. Nazereth and chair Colin Prescod of Institute of Race Relations.
Tate Modern series 10 – 25 Aril 2015.
Films of Charles Burnett, Billy Woodberry, Julie Dash, Larry Clark, Haile Gerima, Barbara McCullough,Ben Caldwell, Zeinabu Davis and many more, in the presence of some of the visiting UCLA filmmakers of the 1970s and 1980s.
http://www.tate.org.uk/whats-on/tate-modern/eventseries/la-rebellion-creating-new-black-cinema